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Www.Book Of Ramayan

The Book of Wilderness [paperback] Valmiki Ramayana [Jan 01, ] bei pvu.nu - ISBN - ISBN - Softcover. Mythology of Chiranjeevis used to examine if resurrection of Jesus is historical or not. This book takes one of the most purely subjective and spiritual records of knowledge, the Ramayana and compares it to one of the most objectively-studied and.

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Simplex und verbalkompositum in tutsi das' ramayana cale jana - Front Cover. H. Konrad Meissner. 0 Reviews. From inside the book. What people are. Mythology of Chiranjeevis used to examine if resurrection of Jesus is historical or not. The Ramayan is an ancient Sanskrit epic. It is attributed to the Hindu sage Valmiki and forms an important part of the Hindu canon (smṛti). The Ramayana is one. Wird geladen…. Mehr ansehen. MusicMagpie Stockport, Vereinigtes Königreich. Mehr anzeigen. Bereiche dieser Seite. Use this free of cost application Talk to Astrologer. A copy that has been read, but remains in clean condition. Shodasi: Secrets of The Ramayana and Swarnahamsa Harshanaishada from the mighty pen of the great Telugu poet, Gunturu Book Of Ra Kostenlos Casinopilot Sharma are considered to be the two great peaks Hertel Lingen the world literary criticism and research. A readable copy. Berechtigungen 11 Detaillierte Informationen.

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She has also worked with documentary film and theatre. She currently works as a freelance writer and researcher. She is also the programming director at OpenSpace, an NGO committed to promoting awareness of issues such as globalization.

He is the author of the epic Ramayana, based on the attribution in the text of the epic itself. The Yoga Vasistha is attributed to him.

A religious movement called Valmikism is based on Valmiki's teachings as presented in the Ramayana and the Yoga Vasistha.

At least by the 1st century AD, Valmiki's reputation as the father of Sanskrit classical poetry seems to have been legendary.

As with many traditional epics, it has gone through a long process of interpolations and redactions, making it impossible to date accurately.

One of the most important literary works of ancient India, the Ramayana has had a profound impact on art and culture in the Indian subcontinent and Southeast Asia.

The story ushered in the tradition of the next thousand years of massive-scale works in the rich diction of regal courts and Brahminical temples.

It has also inspired much secondary literature in various languages, notably the Kambaramayanam by the Tamil poet Kambar of the 13th century, the Telugu-language Molla Ramayana, 14th century Kannada poet Narahari's Torave Ramayan, and 15th century Bengali poet Krittibas Ojha's Krittivasi Ramayan, as well as the 16th century Awadhi version, Ramacharitamanas, written by Tulsidas.

As in many oral epics, multiple versions of the Ramayana survive. Father Kamil Bulke, author of Ramakatha, has identified over variants of Ramayana.

Jun 17, Udit Srivastava rated it it was amazing. There was a line in the final credits background song in Ramananda Sagar's Ramayana, which I fondly watched as a child- "Puni Puni Kitne hi Kahe Sunave, Jiya ki Pyaas bujhat na Bujhae", which loosely translates to-" Even after repeated re-tellings of this beautiful story of Shree Ram, the heart does not get tired of listening to it".

This line broadly sums up my review for this book, which I wanted to write in detail. It is a long read and took me a while to complete.

As most of the Indians, I wa There was a line in the final credits background song in Ramananda Sagar's Ramayana, which I fondly watched as a child- "Puni Puni Kitne hi Kahe Sunave, Jiya ki Pyaas bujhat na Bujhae", which loosely translates to-" Even after repeated re-tellings of this beautiful story of Shree Ram, the heart does not get tired of listening to it".

As most of the Indians, I was aware of most of the events and narratives that build up this epic tale but novelty is not what I sought when I decided to take up this as my next read.

The excellent style of C. Rajagopalachari in presenting this story is the pudding on the cake. The book takes direct cues from Valmiki Ramayana, which focused more on the human side of Rama than the divine side, which is the focus in the versions of Tulasidas and Kamban.

The flow of the book is bit on the slower side, which helps the reader to get absorbed and empathize with the emotions that the characters are going through at a point of time.

One of the most elaborate sections that deserve a special mention are- Dasaratha's longing for Rama at the time of his going on exile, Rama's pain after the abdustion of Sita and Kumbhakarana's dialogue with Ravana before the ultimate battle which addresses the moral dilemma that he faces.

One of the points that this book touches upon is the comparison of Vibhishana and Kumbhakarana and their relative stance on the principle of dharma.

Both are correct in their own stances but, the author Rajaji treats the Dharma of Vibhishana to be the better choice in such a situations and rightly absolves Vibhishana of being called a traitor to the Rakhshasa family.

Overall, this book is a great read. For people who are well versed with the story of Ramayana, there is nothing new as far as the content is concerned, but the treatment of the epic by Rajaji, who himself was one of the most intellectually distinguished personalities of his time; is commendable.

I will rate this book as five. Go pick up your copy or download it on your kindle for just 99 bucks. Anyone who wants to know how the gods and goddesses really live should read this.

It's a rollicking tale of romance and intrigue that even after years of telling seems fresh and current. It's sheer humanity defrocks religious dogma that often seems oppressive, overbearing, and out of touch with the real world of human desires and emotions.

A good time is had by all including the bad guys and girls who, having been resoundingly defeated, just seem happy to have resolved some of their karma as Anyone who wants to know how the gods and goddesses really live should read this.

A good time is had by all including the bad guys and girls who, having been resoundingly defeated, just seem happy to have resolved some of their karma as they dissolve into nothingness and prepare to return in another incarnation hopefully in a somewhat less combative frame of mind.

Each character becomes a lovable reflection of ourselves and even the evil Ravannna shows us a touch of humor and wisdom which may help us to rest a little easier with our own dark side.

There is something for ever taste here. Of course the romantics among us are served up a timeless love story, that of Prince Rama and his beautiful and seductive consort Sita, from which modern soap operas could learn a thing or two.

Needless to say, love wins out, despite every effort by the forces of evil to separate the devoted duo. Lest the action crowd fear that they will be fed a steady diet of mush mush, be reassured.

Your imagination will be stretched to it's limit and there are enough special effects and wizardry to keep Harry Potter fans waving their wands for more.

They can read the Mahabharata next For those who require that their spirituality be a little less seasoned with sex, and the intrigue and violence that often goes with it do not despair.

You have not been forgotten, for in the midst of the worst that humanity can do to itself, as heads are lopped off and blood flows unconditionally, there are doses of profound wisdom which, if swallowed and digested, will definitely keep the devil away.

I know. I've tried it and it does work. There are a few reasons I am giving this text just two stars. First and foremost among these reasons is for the quality and style of the translation.

It is hard for me to believe that a translator could take the liberties that this one has with such an ancient and sacred text, and yet here we are.

The translator made the decision to remove tens, if not a hundred or more cantos from this version of the Ramayana, for various reasons, including a personal feeling that certain content was not approp There are a few reasons I am giving this text just two stars.

The translator made the decision to remove tens, if not a hundred or more cantos from this version of the Ramayana, for various reasons, including a personal feeling that certain content was not appropriate for a "modern" audience, or simply that some cantos were too repetitive, boring, didn't fit with the rest of the story, or were too tedious to translate.

Further, in the future I think that I would choose to read a version which had been translated accurately, as opposed to altered in order to match the meter in English.

The rhyming style is indeed simple and tedious to read. The language is understandably antiquated, yet somehow this translation seems more stale than other equally ancient verses, perhaps that is the nature of the original text, but more likely it is the fault of the translation.

All of this being said, I think that in order to fully judge the Ramayana itself I would have to read at least a few parts of other translations.

My personal feelings about characters and certain aspects of the story reflect my own values, which are opposed to some of what appears in this text.

Apr 25, Ganesh Muthupalani rated it it was amazing. This review has been hidden because it contains spoilers. To view it, click here.

A beautiful story that has numerous morals embedded in it. Even till today, the story of Ramayana is recited and narrated worldwide.

Rajagopalachari's book is a concise version but he has presented the story beautifully. Rajagopalachari, throughout the book, recommends one to visit the work by Valmeeki original narrator and Kamban later translated into Tamil for the vivid descriptions.

Here's a really quick summary of A beautiful story that has numerous morals embedded in it. Here's a really quick summary of Ramayana.

In the forest Seeta was attracted by the golden deer and Rama went after it. At that time, the wicked Ravana kidnapped Seeta. Lord Rama crossed the ocean and entered the city of Lanka.

He then destroyed the city of Lanka, killed Raavana and set Seeta free. It was a magical feeling to visualize the story. I loved the book. The story started up slowly but then after story on Rama's expelled from his father's kingdom things start to warm up.

Towards the end on Rama vs Ravana confrontation storyline is very exciting. During my jr. Everything that I heard before about Ramayana is true Hi!

Everything that I heard before about Ramayana is true, regarding so high virtues on the characters: Rama, Lakshmana, Hanuman representing goodness, honor, courage.

The apparance on the Hanuman monkey help out Rama, and so on. I am very glad to read this book as it complements different concepts that heard around my yoga practice atmosphere.

With excitement, Checo A transcendental epic tragedy of Divine sorts. A story with as much beauty and poetry as philosophy and truths.

Decisions, consequences, tragedy, nobility of spirit, height of thought, duty and unflinching righteousness. It is as well a "fantastic" story, with things that can happen only in spiritual manifestations of the spiritual realm, such as flying giant monkeys which think and talk, A transcendental epic tragedy of Divine sorts.

It is as well a "fantastic" story, with things that can happen only in spiritual manifestations of the spiritual realm, such as flying giant monkeys which think and talk, flying mountains, a giant prehistoric world war, a sure entertaining and edifying epic.

Jan 14, Kavya Chilukuri rated it really liked it. A must read for those who want to get their facts right about the mythological Or might I say historical story.

Rajaji's thoughts and opinions and the slight variations in the versions by Kamban and Valmeeki are gently woven into the storytelling, making it a very enjoyable and informative read.

Kids would find this very enlightening and enjoyable as this prose is generally devoid of philosophical opinions which are usually found in such books and may serve as a detractor for young minds.

Ramayan A must read for those who want to get their facts right about the mythological Or might I say historical story.

Ramayan is a must read! May 06, Ajay rated it it was amazing. Even though i knew this epic, it's a different experience to read the work of Rajaji.

Simple to read, pointing out the different views by different authors. Its a mix of Kambar and Valmiki Ramayana. It just gives a whole new perspective.

May 14, Mukundhan Sampath rated it it was amazing. Excellent book! An authority on Ramayana! Superb language and very concise.

In my opinion, a must read. Jan 19, Satwik rated it it was amazing. I read this book due to my curiosity as the characters in the book are heard by every Indian on a daily basis.

And this book is not the original version but a concise version of original Valmiki Ramayana By Rajaji. Why i Liked this book - - It gives the list of virtues that a Human being must possess I read this book due to my curiosity as the characters in the book are heard by every Indian on a daily basis.

Oct 08, Felix rated it really liked it Shelves: sanskrit , epic , spirituality , mythology , south-asia , classical-period.

This book is a retelling of Valmiki's ancient poem, the Ramayana. The original poem is tremendously long - usually running for at least three large volumes in translation.

For many readers without a scholarly or religious interest in ancient India, this is just too long. For many more particularly non-Indian readers, the original may also pose certain cultural challenges.

Rajagopalachari here provides a bridge across these gulfs. His retelling is targeted both at adults and at children.

He writ This book is a retelling of Valmiki's ancient poem, the Ramayana. He writes himself in the epilogue: A word to the children who read these chapters.

I have told the story of the Prince of Ayodhya mainly for your sake. Kaikeyi asked Dasharatha to make Bharatha the King and send Rama away to the forest for fourteen years.

King Dasharatha was heartbroken but he was bound to keep his promise. Rama left for the forest without hesitation, accompanied by Sita and Lakshmana.

The whole Kingdom was grief-stricken and Dasharatha died soon after. Bharatha was horrified by what his mother had done. He went to the forest to persuade Rama to return.

He said he would rule till Rama returned. Birds sang, streams gurgled and flowers bloomed in thousands. You may also like to read, Lord Buddha Story.

One day, a terrible thing happened. A she-demon called Soorpanakha saw Rama and wanted to marry him. When Rama refused, she asked Lakshmana to marry her.

Angry at his refusal, she attacked Sita. On seeing this, Lakshmana rushed to help Sita. Soorpanakha went to his brother, Ravana, the King of Lanka and asked him to punish them for insulting her.

Ravana sent his uncle Mareecha who took the form of the golden deer to attract Sita. On seeing this, Sita asked Rama to catch it. Rama chased the deer and finally shot it.

Before leaving, Lakshmana drew a magic line to protect Sita and asked her not to cross the line under any circumstance.

As soon as Lakshmana left, Ravana came in the guise of the sage. As soon as she crossed the line, Ravana grabbed her and flew away to Lanka.

Hearing her cries, Jatayu, the King of Eagles tried to help her but Ravana wounded him badly. Rama and Lakshmana set out in search of Sita.

He cajoles and threatens Maricha until the other raskhasa agrees to assist him, and hatches a wicked plan. Ravana and Maricha travel to Panchavati, and Maricha transforms himself into a beautiful golden stag.

Sita, who loves animals, is utterly enchanted by him as soon as she seems him, and she asks Rama to capture the deer for her. Rama chases after the deer, who leads him deep into the forest.

Slowly, Rama realizes that this is no true creature of the forest, but a rakshasa. He shoots the stag with an arrow, and Maricha takes on his rakshasa appearance once again.

Before he dies, Maricha calls out for Lakshmana and Sita in a perfect imitation of Rama's voice. Hearing this terrible cry, Lakshmana plunges into the forest to help his brother, leaving Sita alone in the hut.

Ravana takes on the form of a wandering ascetic and approaches her. As soon as he sees Sita, he falls madly in love with her.

When he has gained her trust and been invited into the hut, he reveals his true self and demands that she be his queen.

Sita refuses, saying that she loves Rama far too much to ever leave him. Ravana grabs Sita and takes her away in his sky chariot, ignoring her screams of protest.

Jatayu the golden eagle sees the princess being captured, and attacks Ravana to try to save her. He injures the rakshasa, but Ravana cuts off his wings and leaves him for dead.

Sita takes advantage of this momentary confusion to take off her jewelry and drop it to the earth, leaving a trail for Rama to follow.

Ravana brings Sita far away to his kingdom in Lanka. He demands that she submits to him and become his queen, but she refuses once again.

He tells her that she has a one year to consider his love, after which he will kill her and eat her alive.

Sita weeps in terror, but refuses to give in. In Panchavati, Rama and Lakshmana realize that they have been deceived. When they find the hut empty, they realize that Sita has been kidnapped, and they follow the trail south.

They find the dying Jatayu, who tells them that Ravana has kidnapped Sita. The two brothers perform funeral rites for Jatayu, and then continue their search for Ravana and Sita.

On the way, the brothers meet a terrible demon named Kabandha , who has the form of a body with no legs or head, only arms and a gaping mouth.

After they dispatch him, he explains that Indra transformed him into this ugly shape; formerly, he was a celestial archer. Thankful to be liberated from this terrible punishment, he tells the brothers that they will find victory against Ravana if they seek Sugriva , the prince of vanaras a magical race of monkeys who lives in Rishyalooka.

On their way to the monkey king, the brothers meet the female mystic Shabari, who has refused to die until she meets the holy Rama. She offers them her blessings and departs for heaven.

Rama weeps for Sita, but Lakshmana consoles him and urges him forward in their quest. This section of the poem develops the theme of the complex nature of good and evil; these values are opposite, but they are not innate.

A number of rakshasas are not really rakshasas at all, but are instead sacred divine beings that are cursed to live in rakshasa form.

Www.Book Of Ramayan The Ramayana essays are academic Kostenlos Book Of Ra Fur Android for citation. Also, read Phoenix Story. These levels of reality, these meta games, the conflict of god and man, man and evil, make works like this, and its richer, bigger soul brother, The Mahabharata, fresh and unique even today. Original Title. Other Editions It is not in verse, although it remains in the original seven parts, and is considered one of the better modern re-tellings. First off, the translation I was using omitted several passages due to "containing sentiments not popular or proper Sports Betting Casinos In Oregon our society", I think he means some people had sex, Bwin Payment Methods maybe they worked on sunday or ate bread that was leavened, who knows!

Www.Book Of Ramayan - Die Beschreibung von Ramayan, The, Book 1 Valmiki

Ab 13 Jahren. Gebraucht kaufen EUR 50, Bewertungen Richtlinien für Rezensionen. In den Warenkorb. In this videoProf. Meet over 40 Eidolons on Free Online Game No Download journey and Collect 'Em All! Fully-rendered 3D characters offer impressive detail down to their elegant costumes. Shodasi : Secrets of the Ramayana 3. The Ramayana essays are academic essays for citation. A number of rakshasas are not really rakshasas at all, but are instead sacred divine beings that are cursed to live Spiele Kostenlos Spielen Ohne Anmeldung Ohne Download rakshasa form. I've never read anything about Hindu Mythology, and this book made me so interested on finding out more about Hindu Mythology. He defeats them using his magical weapons. Other Editions In time, the three Royal Tv gave birth to sons. He rejects her and moves along, leaving a crushed Sita, wallowing in pain for Rama, who let's not forget she loves devotedly simply because he is Rama. Some translations value accuracy and fidelity to the original text above all else. The author reproduces the spirit of the ancient hymns with great flair. Want to Read Currently Reading Read. Www.Book Of Ramayan Das Râmâyaṇa: Geschichte und Inhalt nebst Concordanz der gedruckten Recensionen. Front Cover. Hermann Jacobi. F. Cohen, From inside the book. Goldman, Robert and Goldman, Sally Sutherland () "Rāmāyaṇa", in Knut A. Jacobsen et al. (eds.) Brill's Encyclopedia of Hinduism. Books 4 People Wholesale Trade Services for Book shops, Libraries and Schools at low Price. Vaidik lekhan dekhana hai ki kya baibil bharosemand hai. Mythology of Chiranjeevis used to examine if resurrection of Jesus is historical or not.

When he has gained her trust and been invited into the hut, he reveals his true self and demands that she be his queen. Sita refuses, saying that she loves Rama far too much to ever leave him.

Ravana grabs Sita and takes her away in his sky chariot, ignoring her screams of protest. Jatayu the golden eagle sees the princess being captured, and attacks Ravana to try to save her.

He injures the rakshasa, but Ravana cuts off his wings and leaves him for dead. Sita takes advantage of this momentary confusion to take off her jewelry and drop it to the earth, leaving a trail for Rama to follow.

Ravana brings Sita far away to his kingdom in Lanka. He demands that she submits to him and become his queen, but she refuses once again.

He tells her that she has a one year to consider his love, after which he will kill her and eat her alive. Sita weeps in terror, but refuses to give in.

In Panchavati, Rama and Lakshmana realize that they have been deceived. When they find the hut empty, they realize that Sita has been kidnapped, and they follow the trail south.

They find the dying Jatayu, who tells them that Ravana has kidnapped Sita. The two brothers perform funeral rites for Jatayu, and then continue their search for Ravana and Sita.

On the way, the brothers meet a terrible demon named Kabandha , who has the form of a body with no legs or head, only arms and a gaping mouth. After they dispatch him, he explains that Indra transformed him into this ugly shape; formerly, he was a celestial archer.

Thankful to be liberated from this terrible punishment, he tells the brothers that they will find victory against Ravana if they seek Sugriva , the prince of vanaras a magical race of monkeys who lives in Rishyalooka.

On their way to the monkey king, the brothers meet the female mystic Shabari, who has refused to die until she meets the holy Rama.

She offers them her blessings and departs for heaven. Rama weeps for Sita, but Lakshmana consoles him and urges him forward in their quest.

This section of the poem develops the theme of the complex nature of good and evil; these values are opposite, but they are not innate.

A number of rakshasas are not really rakshasas at all, but are instead sacred divine beings that are cursed to live in rakshasa form.

For example, Viradha is actually a gandharva, an elf-like being, who was cursed by the god Kubera to live as a rakshasa.

After Rama slays him, Viradha appears in his gandharva form to explain what has happened and to thank the prince for freeing him from this terrible state.

For at least some of these rakshasas, evil is not something innate but rather the result of a curse or error. Becoming a rakshasa is as awful a state as being attacked by a rakshasa.

When Rama slays these cursed beings, he returns them to their original state and allows them to move on to a new existence.

The fact that some rakshasas are thankful to be killed is informed by the cultural understanding of death and rebirth in Hinduism. In this religion, one's death is not the end of one's story; it's merely an interlude before one is reincarnated into a different form.

One of the qualities that differentiate virtuous humans and un-virtuous rakshasas is control over one's sexual impulses. The rakshasas are full of lust and have no respect for the bounds of marriage; Surpanakha shamelessly tries to seduce Rama in front of his wife Sita, and Ravana steals Sita away from her husband despite her cries of protest.

On the other hand, the most admirable people in the Ramayana have great control over their sexual desires: Rama could have any woman he wants, but he is content with his wife Sita.

Lakshmana has left his wife behind when he was exiled from Ayodhya, but he never expresses any sort of lust or jealousy. Rama's martial prowess has grown greatly.

He slayed Rakshasas as a young man, but now he is able to stand against an entire rakshasa army and defeat them.

His supernatural weapons assist him greatly in this endeavor, but above all it is his true identity as the god Vishnu that enables him to rid the world of this evil.

This battle is not mere physical violence; it is also a metaphor for the destruction of evil by the good. This book of the poem introduces us to Ravana, the primary antagonist.

He is immensely powerful, and even the gods send him tribute. He is perhaps the only being living who can defeat Rama.

He kindles Rama's fury by kidnapping Sita through deception and trickery. Again Sita showcases the virtues that make her such an exemplar in South Asian culture.

Despite his terrifying appearance, Ravana is irresistible to women; he knows how to be gentle enough with them to gain their trust, and his harem is full of women.

Additionally, any woman who becomes his wife has access to immense riches and power. Yet despite Ravana's charm and the wealth that would come with submitting to him, Sita will not betray her beloved but penniless husband.

Who is the king of Mithila? Janaka was an ancient Indian king of Videha which was located in Mithila region, approximately in the 8th or 7th century BCE.

Who gave Lord Rama Brahmastra along with other weapons? The author captures the pathos and beauty of Valmiki's magic in inimatable manner.

Written in homely style,the work is striking in originality and beauty of expression. The popularity of the book is so great that it has run into forty two impressions ever since it was originally published in the year Get A Copy.

Paperback , 51st , pages. Published December 1st by Bharatiya Vidya Bhavan first published More Details Original Title.

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Tabitha Ormiston-Smith Yes, I have it in a pdf. See all 3 questions about Ramayana…. Lists with This Book.

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This was a great read. This is a re-telling of the Ramayana, by William Buck. It is not in verse, although it remains in the original seven parts, and is considered one of the better modern re-tellings.

I must admit, the first of the seven parts almost had me putting this back on the self for another time. It was confusing with the number of characters, the timeframes and general confusion.

I am so glad I persisted, as from the end of that part on, it was brilliant. To be fair it was the scene se This was a great read.

To be fair it was the scene setting section of the book and was trying to set out the history. I should probably go back and re-read it, because I really don't know what it was For me, from that point on, the characters were absorbing, the story paced well and interesting and there were stories inside the story which explained aspects of the narrative.

The other aspect of this edition of the book are the pictures. They occur probably every pages, and look like pencil sketches. No colour, limited contrast - by which I mean they are not boldly drawn, but subtly drawn, and they are excellent.

To me they seem to capture the intent of the writing, and provide realistic Indian imagery of the characters - not just people, but the mythological creatures and the animals.

It does have a high proportion of inevitably beautiful women who appear almost exclusively with minimal clothing, usually topless, which was probably slightly disconnected from the text.

So no plot lines in the review - they would be reduced to something too simple, or would remain over complex, and there are plenty of sources or reviews which can assist.

The story is somewhat familiar to me, but having not been brought up with the story as a part of my culture, there are plenty or moral lessons to take from this story, and it is plain to see why it remains popular and important in Indian culture.

So for stars, I struggled with the opening section, but loved the rest. I was settling for 4 stars, but I liked it better than that in the end, so racks up my first five star rating of View all 5 comments.

Apr 05, Swathi Kiranmayee Manchili rated it it was amazing Shelves: favourites , epics. As part of reading different versions of Ramayana, I have read this book.

This is the best one I have come across till date. The author presents the story devoid of his opinion or biases which is something I liked.

I also liked the way he draws parallels between Valmiki Ramayana and Kamban Ramayana. Such a relief to read this after reading Devdutt Patnaik's version 'Sita' one of the worst books I have read.

View all 8 comments. I love readings Epics and old, old mythologies and really making the connections between them all over the world.

Icarus burning his wings in Greek mythology to Sampati, the vulture, who burned his wings on account of protecting his brother when they both flew too close to the sun in Ramayana.

There are some obvious parallels like this one, or another one between Hindu religion and the Abrahamic faiths that I discovered when talking to a friend.

Krishna is carried across a river in a basket when I love readings Epics and old, old mythologies and really making the connections between them all over the world.

Krishna is carried across a river in a basket when a king starts killing male babies because he hears of a prophecy that one of them will rise to kill him which is so similar to the story of Moses I've heard.

But what I really love about Epics is that you can sort of trace back all fantasy fiction to it. You can also see the trend of black and white truths and, of course, the rampant sexism.

The part that's always bothered me the most. This one goes on to feminizing the land and calling the King the husband of the land and with his death comes the widowhood of the land.

Random musings: - All the old myths and epics I've read always describe the Men as beautiful, having slender faces and almond-shaped eyes and smooth complexion.

All attributes that are now seen as feminine. View 2 comments. This classic translation of the Ramayana is a complete and unabridged verse by verse translation of the great epic poem.

This is not the Ramayana in the story format but the translation of the verses in the poetic form. The author reproduces the spirit of the ancient hymns with great flair.

The lavishly added notes to the verses and appendix at the end of the book adds to the reference value of the title. The book depits the life story of a greatest Prince Rama who is an embodiment of all good qualities a human can ever possess!!

Sita, wife of Rama, is a perfect example of how a woman should be! Each and every character in this book will teach us something and helps to live an untainted life!!

Personally, I feel i have no words to describe these Trio-epics!! View all 3 comments. I used to study this epic in the Thai poem called "Ramakian" when I was in my teens, so it's my sheer delight to read this immortal Indian epic finely translated by a Sanskrit scholar.

View all 9 comments. Thanks to Lada who give me the courage to read this monument, this masterpiece. View 1 comment. Mar 18, Danial Syahreza rated it it was amazing.

I read this for my Bahasa Indonesia school task and I actually enjoyed it! Rama is an amazing character and a great role model for literally everyone in this entire world.

I've never read anything about Hindu Mythology, and this book made me so interested on finding out more about Hindu Mythology.

The relationships in this book was amazing. First few chapters made me a little bit confuse, maybe because I wasn't used to the language and myth I read this for my Bahasa Indonesia school task and I actually enjoyed it!

First few chapters made me a little bit confuse, maybe because I wasn't used to the language and mythology.

But then I've given a few more chapters and I was already so invested to it. William Buck's condensed versions are delightful.

The Ramayana is about Rama an incarnation of Vishnu. Reading this book would be part of classic education in India but of course not part of Western.

Western education gives books that just keep reinforcing each other. That is why everything seems like "common sense" to those who have not This is the second Epic story from Ancient India -- The Mahabharata being the first.

That is why everything seems like "common sense" to those who have not wandered out of their culture of birth.

Take a chance -- look at a different world. Some translations value accuracy and fidelity to the original text above all else.

They work hard to preserve the meter and rhyme scheme if any and stay as close as possible to a word-for-word imitation, even if the result sounds a bit clumsy.

I suspect that this book is not one of those translations. Buck is clearly a master storyteller in his own right, and his prose flows so well in English that it's hard to imagine he isn't taking some liberties.

I would recommend this book to anyone who w Some translations value accuracy and fidelity to the original text above all else.

I would recommend this book to anyone who wants to read a good story. Others will have to say how accurate it is.

This is the only adaptation of the Ramayana I have read, and so I can't be sure how much of my poor rating is attributable to Buck's adaptation and how much is dissatisfaction with the epic itself.

So, I will list the aspects I find lacking, and those better versed than I in the mythology can interpret accordingly. Although there are a few memorable lines "Raavana lay like a collection of wrongs" for the most part I find the language cloying, dumbed-down amateur poetry using hackneyed, not terr This is the only adaptation of the Ramayana I have read, and so I can't be sure how much of my poor rating is attributable to Buck's adaptation and how much is dissatisfaction with the epic itself.

Although there are a few memorable lines "Raavana lay like a collection of wrongs" for the most part I find the language cloying, dumbed-down amateur poetry using hackneyed, not terribly evocative imagery.

The story itself is a drag - like an interminable action film, battle scene after battle scene that just aren't that interesting. I had expected to learn something about Laxman and his relationship with Ram, but very little of this is explored.

Likewise Sita - we are told over and over again that she is the most beautiful woman in the world but really, who cares? She does not develop any kind of personality until she butts heads with Raavana.

As for Raavana, I understand he is supposed to be preternaturally smart, having learned the entirety of the Vedas in one day.

But Buck's Raavana is, in short, a moron. Finally, what happened to Sita's trial by fire? I was stunned to find that episode missing. Is it not present in all versions of the epic?

One has the feeling of a mythology dumbed down and cleansed - the good guys are all physically beautiful and morally pure, the bad guys are all ugly and stupid.

Is the Ramayana really so simplistic? Where is all the nuance and ambiguity of the Mahabharata? If you just want to dip into Hindu mythology for the first time, Devdutt Pattnaik's Mahabharata is a much more satisfying place to start.

View all 4 comments. Feb 21, Gillian rated it it was amazing. The reason I'm giving this five stars is because the author provides a detailed glossary of anglicized sanskrit words, as well as a guide to pronouncing sanskrit vowels.

While he chooses not to include a translation of what he calls "the legend" of Sita's betrayal, he still provides an extremely detailed translation of Valmiki's text as it is, including some translation from the poet Kamban's version of the Ramayana who translated it into Tamil.

However, this book is very simply put forward, a The reason I'm giving this five stars is because the author provides a detailed glossary of anglicized sanskrit words, as well as a guide to pronouncing sanskrit vowels.

However, this book is very simply put forward, as he says, for children and mothers. The sentences are simple and short, while not boring to more advanced adult readers.

He presents the text like a teacher, stopping the narrative occasionally to remind us of something, or to discuss a character's moral action or a writing tool used by Valmiki or Kamban.

The author's own Gandhian belief system is apparent, so if you're looking for an unbiased translation don't look here.

But if you're looking for a simple yet beautiful translation with context, this is the version you want. Its very well written and easy to read.

I like Rajaji's style of writing, he kept it true to Valmiki ji's narration and at right places made mentions of Goswami Tulsidas and Kamban ji's take on a particular event and the departure they made from the original story in their translations.

These pieces make the reading very interesting as it helps you appreciate different views they took which very well could be a reflection of their time, socio-cultural change.

Myths and folklore are always fascinating, especially when they belong to countries of which you know but just a little.

Oh ya.. I had written a nice long review and then I clicked somewhere on my screen and the entire review disintegrated before my very eyes.

I meant to get back to it so let's see here.. First off, the translation I was using omitted several passages due to "containing sentiments not popular or proper in our society", I think he means some people had sex, or maybe they worked on sunday or ate bread that was leavened, who knows!

At other times he simply omitted entire chapters because "they were boring and repetitive", I'm not sure whether he deserves praise for hijacking this decision from me, but in any case considering I have no ability to omit reading even the most boring chapters or books I will just move along.

This tale starts out very nice, but there were many things I really found distasteful, which I find in so much of hindu writing, maybe it's my own particular societal prejudices coming out, ironically though I profess to be a hindu of sorts I still find myself cringing at some of the ideas which hindus hold in highest esteem.

This is probably going to contain all sorts of spoilers, fortunately if you have decided to read this behemoth of a story you probably have already read the summary, so choose as you like, to continue reading or not.

This is what I don't like - Rama, who for no other reason than being "Rama" is treated like a God, funny considering he is considered an incarnation of God, nevertheless he never really does anything particularly special, yet everyone around him, his brothers, women, foreign kings etc, all dote upon him and his constantly butthurt feelings.

The book constantly tells me that he is noble, honourable, brave, etc etc, but these traits are never shown in action, in fact much like Achilles he seems like more of a sulky little baby through much of the book.

What really cemented my dislike for Rama was in the final pages. Now, some quick background here: Rama married Sita, Sita was kidnapped by Ravana and taken to his island refuge.

Rama spends the book fighting demons and trying to win her back. Sweet romantic Arthurian type stuff here, right? While a captive with Ravana, Ravana constantly tries to trick Sita into marrying him, telling her Rama is dead, offering her jewels, etc.

Sita forebears every inducement and stays true to Rama, even at the risk of her own safety and comfort. Noble lady, Rama is a lucky guy, right?

Again, wrong. Rama eventually vanquishes Ravana, or really, mostly it is through the efforts of his family and friends that he overcomes, through their deaths and sacrifices, they who will do everything blindly for Rama, simply because "Rama is Rama".

So he gets Sita back. She comes up to him, ready to throw herself in his arms. We, the western readers are here expecting a happy reunion, the fruition of all the books struggles.

But this is India, or specifically Hinduism, with it's sometimes warped sense of human relations. Rama scorns Sita, he basically spits in her face and laughs at her in disgust, he tells her that he didn't fight Ravana for HER how presumptuous of the silly girl to think so!

He rejects her and moves along, leaving a crushed Sita, wallowing in pain for Rama, who let's not forget she loves devotedly simply because he is Rama.

He does this because he considers Sita "spoiled" for having been in the possession of another man demon and to associate with her would be a stain upon him.

Sita decides well if I can't have my Rama I might as well self-immolate myself. This she does, "as any good Hindu wife should".

Everyone gathers around to show Rama what happened and Sita is reborn and they live happily ever after with Sita fully acknowledging what an insignificant human she is and what a great and glorious man God Rama is - it's every Hindu man's greatest story to share with their wives and daughters, training generations of women into blind submission to their men.

Vomit on this.. I'm not a rabid feminist but I have a good eye for propaganda designed to oppress. Next week we can read the Bhagavad Gita, in which Rama, now in the form of Krishna, counsels Arjuna to dispell his indecision about whether or not he should take part in a war against his cousins to slaughter them, Krishna counsels that rather he should blindly perform the slaughter of his cousins and do it in "God's name" as a "tool of God" and have his conscience clean.

It is no doubt a human tale, but there is some sentiment it evokes that I cannot put into words. Some tug just behind the tear-producing glands I found that this telling captured how I'd felt about the Ramayana, having grown up listening to all the stories as part of nightcaps or preludes to evening prayers, living both unashamedly indian and unconfusedly western lives.

It was honest and plain, glorious and abundant, rich and telling, and yet so bizarrely mysterious. I remember the first time It is no doubt a human tale, but there is some sentiment it evokes that I cannot put into words.

I remember the first time I read it and gaped in awe at Ravana's moment of curtain - certainly the most appealing twist I'd ever come across in this story.

Indeed, the very essence of Hindu philosophy was found scribbled in one letter, sealed in stone tablet, from Ravana to Rama.

Most clever! Yes, there were moments when I found the narrative difficult to follow: stumbling turns of phrases and awkward shifts between points of person.

I don't know if this was because Buck wasn't a professional writer, or because a translation from ancient Sanskrit to modern English wouldn't simply lose much of the original sense.

How will we ever know? Still, there is an essence of old, an unknown-ness somehow comforting, that this version captures and delivers.

Www.Book Of Ramayan

Www.Book Of Ramayan The Ramayana Video

AN AUDIO BOOK ON RAMAYANA

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